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Now showing items 1-10 of 11
The Brave New Feminist World of Joan Lindsay’s “Picnic at Hanging Rock”
(Argument-Verlag, 1988)
An analysis of the significance of the fate of the missing women in 'Picnic at Hanging Rock' results in a discussion of feminism as portrayed in the novel. Joan Lindsay shocks us into an awareness of what women are capable ...
R.A.K. Mason: The Poet as a Pacific Christ
(Centre for Research in the New Literatures in English, Flinders University, 1981)
The vast majority of Mason's poems derive their individual character not only from his use of language, but also, and above all, from his perceiving of himself as a Christ in New Zealand, ignored and victimised by a society ...
Lack of Potency
(Centre for Research in the New Literatures in English, Flinders University, 1984)
The author discusses a collection of New Zealand short stories, and concludes his discussion by saying "that the quality of literature depends, not on time or place, but on the calibre of the author's ability to grasp ...
Regional or Better?
(Island Magazine, 1981)
A discussion of provincialism and liberation from provincialism raised when reviewing an anthology of short stories, 'South Pacific Stories'.
Violence in the stories of Frank Sargeson
(Massey University, New Zealand, 1986)
'The stories of Frank Sargeson' contains the bulk of the short fiction produced by New Zealand's foremost writer. Despite Sargeson's fame, it seems that his stories, particularly those portraying violence, are generally ...
Irony in R.A.K. Mason's Poetry
(Taylor & Francis, 1982)
Previously, the author has presented R.A.K. Mason as essentially a sensitive modern romantic at odds with the New Zealand where he spent his life from 1905-1971, and with, in a larger sense, not only man but also the ...
Ambiguity and Ambivalence in R.A.K. Mason
(Kunapipi, 1983)
The author examines one of R.A.K. Mason's best known poems, Ecce Homunculus, with concern for some of the poem's ambiguities and the possibility that they reveal ambivalence, or at least a richness of meaning, rather than ...
"The Hole..." as Romantic. No. 1 of "Three readings of Sargeson's 'The Hole That Jack Dug'"
(The South Pacific Association for Commonwealth Literature and Language Studies, 1986)
The author suggests that one reason for accepting Frank Sargeson's stories as realistic is that there have been no close analyses of any of them. In discussing "The hole that Jack dug" the author aims to show that such a ...
Dogs and Foxes in D.H. Lawrence and W.H. Auden
(Zeitschrift fur Anglistik und Amerikanistik, 1984)
In writing 'The Fox' and 'Kangaroo', Lawrence was much preoccupied with the mentality of what one may roughly call "meddlers" and "authorities" on the one hand, and the fate of their victims on the other; the first group, ...
Background and Significance of D. H. Lawrence's "The Ladybird"
(The D. H. Lawrence Review, 1982)
"The Ladybird" has not fared particularly well at the hands of its critics. Critics have failed to see that it is not to be understood as an example of mimesis or realism but creates its own symbolic, mythical world.