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Now showing items 1-10 of 132
Opposites Attract. "The Dissociatives". Thebarton Theatre. [review]
(Adelaide Review, 2004-07)
The link between Daniel Johns and dance mensch Paul Mac is both surprising and entirely likely - even if they are half a generation apart, and one comes from teenage grunge, and the other from the Very Cool end of the ...
A Fringe Wrap. "Adelaide Fringe Festival". [review]
(Adelaide Review, 2002-04)
Things were always going to go well for the Fringe this year. Everything, from the logo launch of that underdog-looking little bambi to the setting up of its ambitious on-line ticketing, had an assurance and energy about ...
Survivor - or Big Brother? "Robinson Crusoe" adapted by Gillian Rubinstein. Windmill Productions and Kim Carpenter's Theatre of Image [review]
(Adelaide Review, 2003-08)
Windmill Productions have completed their first year of operation and there is much to celebrate. In the capable hands of Creative Producer Cate Fowler, Windmill
is firmly in the first rank of companies which specialise ...
Three Arts Projects. "3 Dark Tales". Theatre O, "Kayassine". Les Arts Sauts and "Hopeless Games". fabrik Potsdam & DO Theatre [review]
(Adelaide Review, 2002-03)
Theatre O from the UK is a hypermobile company which uses the signature performance techniques of Ecole Jacques Lecoq in Paris. Their Edinburgh Festival hit, "3 Dark Tales" is one of three international productions being ...
Journey to the End of the Earth. "Last Cab to Darwin" by Reg Cribb. Pork Chop Productions. Dunstan Playhouse [review]
(Adelaide Review, 2004-10)
It is not surprising that playwright Reg Cribb saw the story of Max Bell as ready-made for the telling. It has all the elements of a mythic quest with a sturdy,
self-deprecating hero meeting a host of different characters ...
Combat Zone. "Third World Blues" by David Williamson. State Theatre Company [review]
(Adelaide Review, 2001-03)
For an artist to return to a finished work and then revise it, is rarely a simple matter. So when, in 1997, David Williamson went back to his 1972 script "Jugglers Three" and reworked it, he again raised interesting questions ...
You Can (Still) Get Anything You Want …. Arlo Guthrie. Norwood Concert Hall. [review]
(Adelaide Review, 2004-07)
There is something irrepressibly good-natured about Arlo Guthrie and he’s been like that for forty years.
Opening with "Chilling of the Evening", one of his earliest folk rock songs, he follows with a string band ditty ...
Return Journey. Emmylou Harris with Buddy Miller and Kasey Chambers. Thebarton Theatre. [review]
(Adelaide Review, 2001-05)
Emmylou Harris is surely one of the true Daughters of the American Revolution. And she has been at the centre of not just one, but several, musical insurrections.
Teaming up with producer Daniel Lanois, she co-wrote new ...
Private Lives. "Closer" by Patrick Marber. State Theatre. [review]
(Adelaide Review, 1999-09)
In Closer there are few pipes and timbrels but there's plenty of mad pursuit. Everybody gets to lead and then to follow. Everybody gets a chance to win and everybody loses. Dan, living with Alice, now wants Anna who takes ...
Offering Double the Amount of Fun. "The Comedy of Errors" by William Shakespeare. The Bell Shakespeare Company. [review]
(Adelaide Review, 2004-10-15)
In director John Bell’s fast-paced farce, Ephesus is a Turkish town with (in Jennie Tate’s lively design) splodgy whitewashed walls, market stalls and sinister types in Commedia half-masks. The fez is the chapeau of choice, ...