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Now showing items 11-20 of 132
Parallel Worlds. "Blondie". Thebarton Theatre. [review]
(Adelaide Review, 2003-09)
Video may have killed some radio stars but it was the absolute making of Blondie. From their first appearance in 1977 at the height of the Punk and New Wave incursions, this New York pop band not only made their mark but ...
The Festival That Was. "Adelaide Festival". [review]
(Adelaide Review, 2002-04)
It has been said that the 2002 "Adelaide Festival" has been misunderstood, that it was too innovative and far-sighted to be fully comprehended. That its impact will not be realised for years, say some. For a decade, says ...
Revelation. "Bare" by Toa Fraser. Madeleine Sami and Ian Hughes. [review]
(Adelaide Review, 2000-12)
Bare is an odd title for a stage work as richly arrayed as this. It is certainly unadorned - a two hander for actors who perform with minimal lighting and two chairs. But its language, narrative complexity and emotional ...
War Games. "Who’s Afraid of Virginia Woolf" by Edward Albee. State Theatre Company. [review]
(Adelaide Review, 2003-10)
Edward Albee’s play has a larger perspective than just the lives of his four floundering characters, it is a metaphor for the paralysis and narcissism of the American middle class and its failure to challenge an emerging ...
Innocence and Squalor. "The Pitchfork Disney" by Philip Ridley. 4 Bux Progressive Arts [review]
(Adelaide Review, 2003-12)
"The Pitchfork Disney" first played in 1990 and heralded a wave of what might be called punk theatre. In works such as "Shopping and Fucking" and "Disco Pigs" - both of which have performed in Adelaide - and films such as ...
Looking for Life's Treasure. "Moonfleet" adapted by Catherine Zimdahl. Windmill Peforming Arts and Mainstreet Theatre Company [review]
(Adelaide Review, 2004-02)
Windmill Performing Arts has a three year arrangement with the Mt Gambier based Mainstreet Theatre Company and, by the look of their first joint venture, the combination is going to be a happy one. Mainstreet director ...
Another Country. "Despoiled Shore", "Medeamaterial" and "Landscape with Argonauts". The Border Project [review]
(Adelaide Review, 2002-07)
The Border Project is a new company committed, you might say, to pushing the boundaries. And with their first venture, based on the texts of German writer Heiner Muller, they have taken on the themes of exile, persecution ...
Fringe Events. "Adelaide Fringe Festival". [review]
(Adelaide Review, 2002-03)
The Fringe is in full swing for 2002. Even before the Friday night Opening Parade, which attracts a crowd upwards of fifty thousand, plenty of venues are well under way. At The Garden of Unearthly Delights in Rundle Park ...
Suffering from Collateral Damage. 'Euripides’ Trojan Women' adapted by Rosalba Clement and Dawn Langman. State Theatre Company. [review]
(Adelaide Review, 2004-11-26)
In The Trojan Women the text is on suffering - for
women, children, even, for the souls of the victors. Its subject is the death
that can be worse than death - occupation and enslavement.
In her final project as Artistic ...
Cabaret in May. "Adelaide Cabaret Festival". [review]
(Adelaide Review, 2001-06)
The recent "Adelaide Cabaret Festival" has been a curious event. The result has been a mixed menu of middle of the road favourites, jazzy morning melodies, an outing for the ASO, a few choice items from here and there and ...