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Now showing items 21-30 of 132
Urbane Comedy One Minute. 'Goodnight Desdemona (Good Morning Juliet)' by Ann-Marie MacDonald. State Theatre Company. [review]
(Adelaide Review, 2004-10-15)
State Theatre director Kim Durban brings together a pleasing cast led by
Sally Cooper as the awkward but valiant Constance and Ksenja Logos,
amusing as the frazzled fourteen year old Juliet. Margot Fenley is a very
forthright ...
Running on Empty. "Sweet Road" by Debra Oswald. State Theatre South Australia and Playbox [review]
(Adelaide Review, 2000-10)
Life, as everyone from your aromatherapist to your personal trainer will tell you, is a journey. We are all out there, pounding away on the four lane black top. That is, when we are not cruising the information superhighway ...
Over the Border. Melbourne Festival [Preview]
(Adelaide Review, 2003-10)
The Melbourne International Arts Festival opens this month from 9th to the 25th. This is the second year for Robyn Archer as Artistic Director and, because she learnt a great deal from her time at the Adelaide Festival, ...
Brains on the Outside. 'Vanishing Point' by Compagnie Philippe Genty. Her Majesty's. [review]
(Adelaide Review, 2004-09)
This new show has all the signatures of a Genty production. Located next
to a miniature chair, white lines on a black backdrop provide the geometric
paradox of the vanishing point. From the first we are intrigued with ...
Déjà Vu. "Play with Repeats" by Martin Crimp. Balcony Theatre [review]
(Adelaide Review, 2000-09)
"Play With Repeats" is a fractured narrative which, as its title suggests, is a series of repetitions, echoes, variations on a theme, and might-have-beens. Anthony Steadman is a man turning forty. He works as a technician ...
A Night of Crime and Punishment. "Shakespeare's Villains" by Steven Berkoff. Festival Theatre [review]
(Adelaide Review, 2005-03-04)
In the polite world of English theatre Steven Berkoff has always been the bad boy, and, even at sixty eight, he is still a bit of a lad. We owe much to him - for the turbulent rough magic of "East", for the curdled wit of ...
Back to Beguinnings. "Roger McGuinn". Governor Hindmarsh [review]
(Adelaide Review, 2001-07)
I first heard of Roger McGuinn when he was known as Jim. He was the serious young ectomorph in the houndstooth coat and little black lozenge spectacles on the cover of the first Byrds album. Foppish in their American Carnaby ...
Adrift in a Sea of Love and Loss. 'drowning in my ocean of You' by Fiona Sprott. State Theatre Company. [review]
(Adelaide Review, 2003-11)
It must be many years since a red velvet curtain has been seen in the appealingly
dilapidated Queen’s Theatre, but it suits the mannered theatrics
of Fiona Sprott’s drowning in my ocean of You, a play for voices and ...
Gathering of the Tribes. "Big Day Out". Wayville Showgrounds. [review]
(Adelaide Review, 2004-03)
This year’s is the twelfth "Big Day Out". "Big Day Out" gives us the past, the modish present and always a glimpse of the ineffable future. "The Prodigy", "bridesmaids" in 1996, were the lords of all they surveyed the ...
Buried Lives. "A Lie of the Mind" by Sam Shepard. Brink Productions [review]
(Adelaide Review, 2001-12)
The second and final Brink production for the year is also an American play. Sam Shepard’s "A Lie of the Mind" makes an interesting pair with the company’s
co-production with State Theatre back in June. That was "Killer ...